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'The End of Beauty'
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VAN HALEN
A Different Kind Of Truth
MOTÖRHEAD
The Wörld Is Ours – Vol 1
SANGRE ETERNA
Asphyxia
ON TOP
Top Heavy
RIOTOR
Fucking Metal - Death And Destruction
NEPHELIUM
Coils Of Entropy
ETERNAL FLIGHT
Diminished Reality, Elegies And Mysteries
ENTER SHIKARI
A Flash Flood Of Colour
IMORA
Happily Never After
WOODS OF YPRES
Woods 5: Grey Skies And Electric Light



HARDWARES

UFO

No Heavy Petting (Reissue)

(Chrysalis/EMI)

Reviewed by : Martin Popoff
Rating : 9.0

With UFO tooling around America and doing a flash job of it to crowds with tears in their eyes loving every minute of it (this trooper drove six hours), it’s nice to see that in conjunction, EMI Europe is pokeying along through a plush reissue program for all the classic years albums – the first wave of three includes Phenomenon (’74), Force It (’75) and the present spread (’76). This all started with UK’s Rock Candy Records and their desire to do the catalogue in fine Rock Candy style. What happened instead is that the label’s Derek Oliver and Dante Bonutto were put in charge of overseeing the process for Chrysalis/EMI. Liner notes are by a variety of journos with a sweet spot for UFO, and this one in particular is documented by Mark Blake. And what a massive job all ‘round. The booklet includes the full story of the album, band shots, pictures of ads and 45 sleeves, as well as press clippings, all solidly assembled by a fine graphic artist. A quick note on the album – personally, this is a favourite pf the entire Schenker run, keyboardist Danny Peyronel (his lone UFO album) adding a glossy touch to a sound that previously was quite rude. Highlights include the frantic ‘Can You Roll Her’, the frantic but with Springsteen soul ‘Highway Lady’ and the wrench-headed ‘Natural Thing’, amongst a generally fine and well paced selection of the band’s many moves. Bonus material, you ask? Hell yeah, including covers of Faces and tippling labelmate Frankie Miller. But there are also three very rare UFO originals, recorded in the same sessions as the album, and sounding damn good. Now, ‘French Kisses’ and ‘Do It You Can’ are a little Pete Way-obvious, but they are fully fun and serviceable. Then closing the show is a Queen-like Peyronel piano ballad called ‘All The Strings’. Again, glad it’s been gathered up, but yeah, something with a scorching Euro-metal Schenker riff would have been nice.





REVOCATION
'No Funeral'
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