HARDWARES

Progressive metal is a burgeoning genre, as more and more bands are branching out into this fashion. Fashion really describes the genre sufficiently, as only a select few noteworthy acts have really solidified the standard. Back in the mid ‘70s several bands like Yes, Kansas, King Crimson, Rush and their ilk laid the foundation for what bands in the late ‘80s like Queensryche, Fates Warning, Savatage, and Dream Theater (then known as Majesty) would create. These artists truly mastered some incredible musical concepts. Now, bands like Evergrey, Pain Of Salvation and Ayreon have continued this tradition, and expounded upon the essence. Sensory Records specializes in the “cream of the crop” releases, and with bands like Pathosray, Circus Maximus, Zero Hour, etc. enjoying a certain degree of success, it is only natural for them to sign Nation Beyond, who carry on this legacy. Nation Beyond is the band formulated by Jonas Karlgren (guitar/keyboards) and Joakim Hedestedt (bass). Both musicians have played in other more death-oriented acts like Debase and Facedown. Playing progressive music is a real switch for them, so they wanted to be sure to locate quality musicians who could live up to the expectations. Vocalist Nielz Lindstrom is a fine choice, as he has a pitch and timber very similar to Tom Englund of Evergrey, with just a hint of Geoff Tate. His range is balanced by the choice of his soulmate, feminine counterpart - Sara Heurlin, who has that Pamela Moore (Sister Mary) solemnity. The basic concept is about two lovers striving to survive the aftermath of a post-apocalypse setting. In the ashes of betrayal, humility, and self examination, the characters rediscover their journey; which is more inward, and sincere. After the war of the wasteland, these two souls seek to exist in New Eden City, despite constant struggle. Like Ayreon’s Human Equation, Queensryche’s Operation: Mindcrime, or Evergrey’s Inner Circle, there are certain dynamics to the story which the full colour, voluminous lyric booklet, enliven. Overall, this is nothing original; but it is not too self-indulgent or boring either. Too many progressive bands lose me in their lengthy, laconic, pre-suppositions and detailed storytelling. Nation Beyond keep it simple, and yet entertaining.